The life of the bicycle launch

It’s been a long time since my last post and many cycling related things have happened, including me taking part in my first road race, in which I didn’t finish very high, but I didn’t fall off, or crash and I did finish, so moving swiftly on…

This post is about the launch of The life of the bicycle film made by Clapham Film Unit with Herne Hill Velodrome and The Science Museum, funded by the Heritage lottery’s All Our Stories programme

The launch was at The Science Museum, most of the cyclists involved cycled to the screening from the velodrome. I had a morning meeting so missed cycling through a torrential downpour, I did however arrive just in time for the post ride flapjack…

I was also able to see the Bicycle tour exhibition, including many of the bikes I was able to study for the project.

Find out more about the exhibition here; http://goo.gl/hu32cb

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Anyway on to the film!

It’s a really interesting film, I love they way its cuts between the vastly different stories all linked by cycling. I was very lucky to have three largeish bits in it which I will now share with you (although you should try and see whole the film!)

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The first part was filmed at the end of the day, but works really well as the start of my story, it shows me enjoying my own private velodrome, huffing and puffing and gushing about how much I love cycling.

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I am wearing my modern cycling clothing, summer kit, and it was COLD (We filmed in April this year)

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You can see the two problems I suffered with throughout filming here, cold hands and near blindness, do too a lack of sunglasses on a very sunny day. I always wear sunglasses, on and off the bike as my eyes are super light sensitive, and big attracting grit etc, but sunglasses didn’t work for the film and you can tell I can’t really see, plus my eyes were watering all day. Thank goodness for my cycling cap!

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You can see I pulled my arm warmers right down and rolled my fingers under the palms of my hands sandwiching them between me and my cork (conducts heat) handle bars, all without realising what I was doing and thinking about how strange it would look on film.

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A couple of people still came up to me after the screening to ask way I wasn’t wearing gloves. The truth is at this stage I didn’t own cycling gloves and the fluffy woolly pink gloves I had with me did not really look the part. I had no idea what I was doing till I watched the film, it must have been towards the end of a take! Charlotte was quick to wrap me up as soon as we stopped cycling, but I am a cold blooded person and thus cold all of the time.

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The second part of the film is me in my 1940s kit, I want to show you the way the film cuts to it

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It starts with race footage like this…FAST

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And then cuts to me, not quite as blurry, but you try cycling in original 1940s sandals, bits kept falling off and I had to keep stitching them back together.

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We filmed this first, I was pleased it was a sunny day, I had a hand knitted 1940s cardie, but I was clearly feeling brave as I took that off before we started filming.

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I had to get used to cycling on the slopes of the velodrome wearing this, which was quite good fun…

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This footage was filmed on a old camera, with old film, sorry, I forget the technical terms, But this give the lovely old school colour.

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this was the one time I looked at the camera you can see how much I am suffering from the sun, as I have pirate face.

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Being a costume designer as well as wearing original shoes I also have original 1940s silk stockings, the dress which is cut in line with war time guidance on fabric wastage is not very full and not perhaps not fully suited to cycling.

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The dress kept slowly riding up my legs, not wanting to spoil the flow I waited to readjusting my dress in-between takes, some of which were quite long.

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This meant, yes I was a proper old school Cambridge cyclist, showed my stocking tops. This description is based on my past interviews with women who cycled in Cambridge in the 1950s and 1960s. I was not wolf whistled (as my interviewees often were) but my stocking tops might have inspired my streaker?

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The footage of me creaking and wobbling round the track with my legs out cuts to this…

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Again FAST and skillful!

My third part in the film starts with a tease…whatever is she wearing now?

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before slowly giving away my final costume

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Why I’m wearing my full Edwardian cycling costume of course! (apart from that hat which I picked up from M&S on route, but sssshhh don’t tell anyone!)

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This is how the vintage black and white film footage came out…

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Bear in mind I have the full costume on, including the corset which needed to be laced up to enable me to do the jacket up, was made for a model smaller than me and on top of it all I had to cycle round the velodrome, at least I wasn’t cold!

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Also you will remember from my post about filming this, this was the part of the shoot in which I got streaked, just imagine a nude dude running behind my right shoulder…I think I did quite a good job of keeping a straight face really, and I didn’t pass out, even when I was in stitches laughing.

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Thank you so much to everyone involved, especially Charlotte who talked me in front of the camera. I loved every moment of it!

Find out more about The life of the bicycle here; http://goo.gl/01527g

see more of my stills from the film here; http://goo.gl/xD1cM0

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